Download e-book Walks Through History - Birmingham: Aston Hall: The story of Birmingham’s stateliest home

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But there is a fascinating story to be told in many different ways. William Queen. John ," the bearded, beer-swilling, Harley John and would have laid From the Hardcover edition. Ato Quayson.

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Michael Howell, Peter Ford. By it was the third-largest town in Warwickshire, a position it would retain for the next years; the principal governing institutions of medieval Birmingham — including the Guild of the Ho. Gospel music Gospel music is a genre of Christian music.

The creation, performance and the definition of gospel music varies according to culture and social context. Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, as an entertainment product for the marketplace.

Gospel music has dominant vocals with Christian lyrics. Gospel music can be traced with roots in the black oral tradition. Hymns and sacred songs were repeated in a call and response fashion. Most of the churches relied on hand clapping and foot stomping as rhythmic accompaniment.

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Most of the singing was done a cappella; the first published use of the term "gospel song" appeared in The original gospel songs were written and composed by authors such as George F. Root , Philip Bliss , Charles H. Gospel music publishing houses emerged; the advent of radio in the s increased the audience for gospel music.

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Following World War II , gospel music moved into major auditoriums, gospel music concerts became quite elaborate. Gospel blues is a blues-based form of gospel music. Southern gospel used all tenor-lead-baritone-bass quartet make-up. Progressive Southern gospel is an American music genre that has grown out of Southern gospel over the past couple of decades.

Christian country music, sometimes referred to as country gospel music, is a subgenre of gospel music with a country flair, it peaked in popularity in the mids. Bluegrass gospel music is rooted in American mountain music. Celtic gospel music infuses gospel music with a Celtic flair, is quite popular in countries such as Ireland. British black gospel refers to Gospel music of the African diaspora , produced in the UK; some proponents of "standard" hymns dislike gospel music of the late 19th and early 20th centuries.

Today, with historical distance, there is a greater acceptance of such gospel songs into official denominational hymnals. Gospel music features Christian lyrics; some modern gospel music, isn't explicitly Christian and just utilizes the sound. Subgenres include contemporary gospel, urban contemporary gospel , Southern gospel, modern gospel music. Several forms of gospel music utilize choirs, use piano or Hammond organ , drums , bass guitar and electric guitar.

In comparison with hymns, which are of a statelier measure, the gospel song is expected to have a refrain and a more syncopated rhythm. Several attempts have been made to describe the style of late 19th and early 20th century gospel songs in general. Christ-Janer said "the music was tuneful and easy to grasp The device of letting the lower parts echo rhythmically a motive announced by the sopranos became a mannerism ".

Patrick and Sydnor emphasize the notion that gospel music is "sentimental", quoting Sankey as saying, "Before I sing I must feel", they call attention to the comparison of the original version of Rowley's "I Will Sing the Wondrous Story" with Sankey's version. Gold said, "Essentially the gospel songs are songs of testimony, religious exhortation, or warning.

The chorus or refrain technique is found. Coming out of the African-American religious experience, American gospel music can be traced to the early 17th century, with foundations in the works of Dr. Isaac Watts and others. Gospel music has roots in the black oral tradition, utilizes a great deal of repetition, which allows those who could not read the opportunity to participate in worship.

During this time and sacred songs were lined and repeated in a call and response fashion, Negro spirituals and work songs emerged.

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Repetition and "call and response" are accepted elements in African music, designed to achieve an altered state of consciousness we sometimes refer to as " trance ", strengthen communal bonds. Most of the churches relied on foot-stomping as rhythmic accompaniment. Guitars and tambourines were sometimes available, but not frequently. Church choirs became a norm only after emancipation. Most of the singing was done a cappella; the most famous gospel-based hymns were composed in the s and s by English writers John Newton and Augustus Toplady , members of the Anglican Church.

Starting out as lyrics only, it took decades for standardized tunes to be added to them. Although not directly connected with African-American gospel music, they were adopted by African-Americans as well as white Americans, Newton's connection with the abolition movement provided cross-fertilization ; the first published use of the term " Gospel Song " appeared in when Philip Bliss released a songbook entitled Gospel Songs.

A Choice Collection of Hymns and Tunes, it was used to describe a new style of church music, songs that were easy to grasp and more singable than the traditional church hymns, which came out of the mass revival movement starting with Dwight L.


Moody , whose musician was Ira D. Sankey , as well as the Holiness-Pentecostal movement. Simply Red Red is a British soul and pop band which formed in Manchester in The lead singer of the band is singer and songwriter Mick Hucknall , who, by the time the band disbanded in , was the only original member left. The band re-formed in Red have sold over 55 million records and 1 billion streams worldwide; the first incarnation of the band was a punk group called The Frantic Elevators , whose seven-year run produced limited releases on local labels and ended in upon critical acclaim for their final single, "Holding Back the Years".

By early , Hucknall and Rashman had assembled a band of local session musicians and begun to attract record company attention; the group adopted the name "Red" but Hucknall decided it would sound better with the addition of the word'Simply'. Red signed a contract with Elektra in , but after recording one track, Fryman left the group and was replaced by guitarist Sylvan Richardson , billed only as'Sylvan'. It was included on their debut album, Picture Book released in Several low-charting singles would follow for the band. Among the comparative flops was a re-recording of the Frantic Elevators' "Holding Back the Years", done up in a new soul-ballad style arrangement.

However, upon being re-released in , "Holding Back the Years" became a major hit, peaking at 1 in Ireland , 2 in the UK, 3 in the Netherlands, 20 in Italy and 1 in the United States ; the song established Simply Red as a household name. Red's second album, 's Men and Women, saw the band adopting bowler hats and colourful suits instead of their earlier ragamuffin look; as well, the introspection and social commentary of their debut album was replaced by a blue-eyed soul sound with funk influences. The album's lead single "The Right Thing" was another international hit, charting in the top 40 throughout Europe and North America.

Several follow-up singles met with modest success in the UK and elsewhere. Saxophonist Ian Kirkham , who joined the group during the Picture Book tour in and played on Men and Women, became an official member. Hucknall was by this time an international superstar, being photographed with models and Hollywood celebrities. This seemed to harm the band's coherence as a unit, with Hucknall declaring in that Simply Red was "essentially a solo project"; the rhythm section of Bowers and Joyce left around this time.

The band's career peaked in late with the release of Stars, which became the best-selling album for two years running in Europe and the UK; the album spun off five top 40 singles in the UK, the singles " Something Got Me Started " and "Stars" were significant chart hits throughout all of Europe, North America and New Zealand.

After the tour, Tim Kellett left to form dance band Olive. A massive radio hit, "Fairground" went on to become the band's first and only UK 1, its parent alb. From Wikipedia, the free encyclopedia. Beshara in Retrieved 1 October Archived from the original on 7 May Retrieved 27 April Archived from the original on 5 March Archived from the original on 6 November Archived from the original on 22 January Archived from the original on 25 November Pato Banton.